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with whom you have con icts or circumstances that make you anxious. Ask yourself why a particular situation or person caused you to feel upset. How might you think or act differently in the future to help you cope more effectively Be active. Exercise helps eliminate stress hormones from the bloodstream and stimulates the release of endorphins, which provide a feeling of well-being. Aim for at least thirty minutes of moderate activity a day. Avoid stimulants. Stimulants such as caffeine, nicotine, and alcohol stress out the body and can make you more irritable and impatient. Try herbal teas and drink lots of water. Laugh more. There has been considerable research on the healing benefits of laughter. Tell jokes, read humor books, and watch comedies. Cut out humorous cartoons and share them with a friend. Add aromatherapy oils to your bath or shower. Choose from basil, cedarwood, geranium, juniper, lavender, rose, and ylangylang. Use alone or combine two or three.

Color Effects and Adjustments ..........................................................................................889 Colors in Need of Adjustment ..........................................................................................892 Quick and Automatic Color Effects ..................................................................................893 Invert ......................................................................................................................893 Equalize ..................................................................................................................895 Threshold ................................................................................................................897 Posterize ..................................................................................................................898 Quick and Automatic Corrections ....................................................................................901 Gray areas................................................................................................................901 The Auto Levels command ......................................................................................902 The Auto Contrast command ..................................................................................903 The Auto Color command ......................................................................................903 Adjusting Hues and Colorizing Images..............................................................................905 Using the Hue/Saturation command ........................................................................905 Colorizing images ....................................................................................................912 Shifting selected hues ..............................................................................................912 Shifting predefined colors........................................................................................914 Filtering colors ........................................................................................................914 Using the Variations command ................................................................................917 Using the Match Color command ............................................................................919 Enhancing colors in a compressed image ................................................................921 Making Custom Brightness Adjustments ..........................................................................922 The Histogram palette ............................................................................................923 The Levels command ..............................................................................................925 The Curves command ............................................................................................933 Gradient maps ........................................................................................................939 The Shadow/Highlight command ............................................................................940 Correcting exposure ................................................................................................944 Adjusting Black and White per channel ..................................................................945 Adjustment Layers ............................................................................................................949 The Advantages of Layer-Based Corrections ......................................................................951 Correcting Camera Raw Images ........................................................................................952 Making color adjustments ......................................................................................955 Sharpening and smoothing......................................................................................957 Correcting for the camera lens ................................................................................958 Tweaking the profile ................................................................................................960 Opening and saving Camera Raw images ................................................................960

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8 1 Iannirubeno & Marmcci, J. Non-Newtonian Fluid Mech. 79 (1998) 225; Marmcci & Iannirubeno, J. Non-Newtonian Fluid Mech. 82 (1999) 275; Ottinger, J. Non-Newtonian Fluid Mech. 89 (2000) 165. 82Harmandariset al., Macromolecules 31 (1998) 7934; 33 (2000) 8062; 36 (2003) 1376. Because rigid bonds and infinitely stiff springs are not equivalent, a so-called Fixman potential has been introduced when using rigid bonds to get results identical to those for infinitely stiff springs; for further references and a detailed discussion in the present context, see Section 2 of Harmandaris et al., Macromolecules 3 1 (1998) 7934. 84 See Section 3.4 of Allen & Tildesley, Computer Simulation ojLiquids (Clarendon, 1987).

Open the Snow_Dog.tif practice le from the downloadable practice les on the Web site (www.wiley.com/go/ photoshopcs4ats). In the Adjustments panel, create a Levels adjustment layer by clicking on the Create a new Levels adjustment layer button (the second button from the left in the top row) and change only the gray slider s value to .60, as shown in Figure 9.17. This darkens the entire image, including the dog. Select the Brush tool and begin painting the dog with black paint to hide the Levels adjustment on the dog and bring her back to her original tones. Don t worry about painting along the exact outline of the dog. The goal isn t to make an exact outline; it s to add an artistic avor. If you re seeing too much of a distinct line along the edge of her, use the Feather slider on the Masks panel to blend the edge. If you want to adjust the tonal change of the snow, revisit the Levels adjustment layer settings in the Adjustments panel. Leave the le open so you can use it in the next exercise.

The first table is inserted at the cursor position, ready for data. Now, add a second table near the bottom of the page.

and 0 is a small constant, say, 0.01. In the general case, the estimated kurtosis of the demixing lter output does not exactly match the kurtosis of the original source. However, it provides an idea whether the estimated

Next, add a horizontal guide for the top of the calendar. This needs to be around two-thirds of an inch below the bottom of the photo. Drag out the guide from the top ruler. Now you can begin to add the days and dates for the calendar. To make it easy to keep all the elements lined up, the calendar will be created using seven columns one for each day of the week. To add the days and dates, follow these steps:

7. After the audio parameters are set, adjust the video settings. First, choose Sorenson AVC Pro for the Codec. This is Sorenson s version of H.264.

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